Apparel
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Ninety "Kiss Me Neckline" Hidden Buttons Long Sleeve Blouse
Classic style designed for endless versatility. Designed in a cotton/spandex blend that stretches with you as you move, and offers breathable comfort in a variety of temperatures. For a ladylike fit, the top is crafted with front and back princess seams.
Available Colors:White is created in true white Black is created in true blackPink is created in pale pinkIce Blue is created in pale blueAdditional Information:
Five button front closure hidden under placket. Dyed-to-match hardware. Made of 97% cotton/3% spandex. Machine wash in cold water with like colors on the gentle cycle, do not bleach, line dry, iron on warm if necessary.
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Chalet Sleeveless Mock Neck Blouse
This mock neck blouse from Chalet is designed with a modest cut in a comfortable fabric that drapes beautifully around your neck. The mock neck collar is not too high and gives you room to breathe and move freely. The versatile style works well with various looks and is so easy to slip on. Pair it with jeans and head out for a casual yet chic look.Available Colors: Java is created in rich chocolate dark brownSlate is created in soft grayish blueOlive is created in dull yellow greenBlackAdditional Information:
Made of 50% polyester/50% rayon. Machine wash cold.
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Henry New York Sash Detail Silk Blouse
Created from silk twill for a fluid drape and lightweight fit. The ladylike top features soft lantern sleeves that softly gather at the cuffs. The slimming silhouette features seaming at the waist so you can wear without the included sash and still maintain a feminine fit. Designed for endless versatility, this timeless blouse layers easily with a variety of pieces in your wardrobe, while the design is pretty enough to wear as a stand-alone top. Finished with a simple jewel neckline to show off your favorite jewelry. Imported. Additional Information:
Six button front closure. Made of 100% silk. Dry clean only.
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Pamela McCoy Couture Beaded Fringe Button Front Suede Jacket
Crafted from velvety-soft suede, this luxe look features seven different types of upscale embellishment. The design starts with dramatic cheetah printed suede decorating the shawl collar, cuffs, and bottom hem. Dangling from the cheetah print is shell beading that offers flirty movement as you walk. Dyed-to-match trim frames the cheetah-print. Embellishments include sequins, wood beads, rectangular shells, circular shells, flat disc shells, round beads, and tube beads. The rich khaki jacket is finished with stylish zig zag contrast top stitching. For convenience, includes exterior welt pockets. Imported. Additional Information:
The jacket is fully lined to protect and extend the life of the garment, with washable snap-in underarm shields. These exclusive Pamela McCoy underarm shields allow you to keep your blazer fresh all the time. Dyed-to-match hardware. Five hook-and-eye front closures. Made of 100% leather with 100% polyester lining. Dry clean by leather method only. Snap-in underarm shields may be hand washed in cold water.
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WD.NY Pleated V-Neck Shirt
Available Colors: BlackPurpleIvory
Additional Information:
Made of 85% rayon/15% nylon. Dry clean or hand wash cold, do not bleach, lay flat to dry.
Measurements:
Small: Arm Hole Circumference: 7.75", Bottom Sweep: 37", Bust/Chest Measurement: 32", Cross Shoulder: 13.25", Sleeve Length: 18.50", Sleeve Opening: 3.75" Medium: Arm Hole Circumference: 8.25", Bottom Sweep: 39", Bust/Chest Measurement: 35", Cross Shoulder: 13.75", Sleeve Length: 19", Sleeve Opening: 4.25" Large: Arm Hole Circumference: 8.75", Bottom Sweep: 41", Bust/Chest Measurement: 36.50", Cross Shoulder: 14.25", Sleeve Length: 19.50", Sleeve Opening: 4.75" |
 
Description Cass Luxury Shapewear Invisibellas® Luxury Shaping V-Neck Full-Body Suit
Stop worrying about any unsightly bumps or bulges, with Cass Shapewear you can comfortably camouflage. Crafted from lightweight nylon/spandex, this soft v-neck sleeveless full-body suit features patented Invisupport. The signature stitching under the bust and around the torso feels invisible on your body, while providing ample support, smoothing, and slimming. The strategic stitching also appears to lift the bottom while providing a slimming appearance in the front. Made in the USA. Designed to prevent the appearance of bra lines, back bulges, panty lines, saddle bags, and belly bulge, this breathable full-body suit makes the best of any outfit. A great bra alternative for any woman up to a DD cup, you can even wear as a basic top under your favorite jacket or sweater.
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Berek "Flower Sprout" Luxury Chenille Spa Wrap
A spray of sparkling sequins and crystals decorates the front panel. Designed with a hook-and-loop closure at the top for a custom fit. Additional Information:
One size fits 4-16. Measures 28"L x 33"W (not expanded) to 54"W (expanded). Made of 100% polyester. Do not dry clean, hand wash inside out in cold water only, use mild detergent, do not use bleach, dry flat, do not twist or wring dry, keep away from sunshine, press on low. About Berek:
Creating imaginative apparel for over 25 years, Berek is known for designing "art you can wear". Inspired by colorful sweaters he saw on a trip to South America, Jack Zyman started Berek, and renowned designer Takako Sakon adds sparkle, pleasure, and wit to all that passes through her magical hands. Show off your individual style with your own Berek piece!
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  Berek Holiday Diva Boat Neck Sweater
Beaded holly, candy canes and bugle beaded bows spill out from the exquisite stocking. A white zebra pattern neckline looks great for northern cold or southern warm weather holidays, and trims the entire neckline front and back. Glamorous beads and sequins accent around the appliqu? designs, sleeve bottoms and back neckline. You'll love this design of animal print and Christmas - a winning combination! Additional Information:
Made of 55% ramie/45% cotton. Hand wash only.About Berek:
Creating imaginative apparel for over 25 years, Berek is known for designing "art you can wear". Inspired by colorful sweaters he saw on a trip to South America, Jack Zyman started Berek, and renowned designer Takako Sakon adds sparkle, pleasure, and wit to all that passes through her magical hands. Show off your individual style with your own Berek piece!
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Berek Patent Trim Twill Trench Coat
Crafted in a tailored trench shape, designed from comfortable cotton/spandex twill. Glistening black patent provides a fashionable contrast to the bright trench, while glossy black "jewels" add another layer of fashion flair around the notch collar. Black patent creates the shoulder epaulets/buttons, collar/front placket trim, removable belt, exterior welt pocket trim, cuff belts/buckles, and buttons at the double-breasted front. Available Colors: White is a true whitePink is a hot pinkLime is a vivid chartreuse
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Appliqué
In its broadest sense, an applique or appliqué is a smaller ornament or device applied
to another surface. In the context of ceramics, for example, an appliqué is a separate
piece of clay added to the primary work, generally for the purpose of decoration.
In the context of sewing, applique refers a needlework technique in which pieces
of fabric, embroidery, or other materials are sewn onto another piece of fabric
to create designs. It is particularly suitable for work which is to be seen from
a distance, such as in banner-making. A famous example of applique is the Hastings
Embroidery. Appliqued cloth is an important art form in Benin, West Africa, particularly
in the area around Abomey, where it has been a tradition since the 18th century
and the kingdom of Danhomè. Applique is used extensively in quilting. "Dresden Plate"
and "Sunbonnet Sue" are two examples of traditional American quilt blocks that are
constructed with both patchwork and applique. Baltimore album quilts, Broderie perse,
Hawaiian quilts, Amish quilts and the ralli quilts of India and Pakistan also use
applique. Types of applique Applied pieces usually have their edges folded under,
and are then attached by any of the following: 1. Straight stitch, typically 2-3mm
in from the edge. 2. Satin stitch all around, overlapping the edge. The patch may
be glued or straight stitched on first to ensure positional stability and a neat
edge. 3. Decorative stitching over a significant amount of the applique piece, with
the thread intended to be part of the artistic effect. The Buttonhole stitch is
a good example. 4. Central fixing only, with the edges of the applied piece intended
to rise up from the background cloth. Typically used when attaching 3-dimensional
flowers.
Fashions in crochet
There are many more new pattern books with modern patterns being printed, and most
yarn stores now offer crochet lessons in addition to the traditional knitting lessons.
Filet crochet, Tunisian crochet, broomstick lace, hairpin lace, cro-hooking, and
Irish crochet are all variants of the basic crochet method. Crochet patterns have
an underlying mathematical structure and have been used to illustrate shapes in
hyperbolic geometry that are difficult to reproduce using other media or are difficult
to understand when viewed two-dimensionally.Process Detail of a Portuguese crochet
table-cloth, about 1970 Detail of a Portuguese crochet table-cloth, about 1970 Crocheted
fabric is begun by placing a slip-knot loop on the hook, pulling another loop through
the first loop, and repeating this process to create a chain of a suitable length.
The chain is either turned and worked in rows, or joined to the beginning of the
row with a slip stitch and worked in rounds. Rounds can also be created by working
many stitches into a single loop. Stitches are made by pulling one or more loops
through each loop of the chain. At any one time at the end of a stitch, there is
only one loop left on the hook. Tunisian crochet, however, draws all of the loops
for an entire row onto a long hook before working them off one at a time. Materials
Aluminum crochet hooks Aluminum crochet hooks Crochet hooks come in many sizes.
Steel crochet hooks range from 3.5 to 0.4 millimeters in the size of the hook, or
from 00 to 16 in American sizing. These hooks are used for fine crochet work. Aluminum
or plastic crochet hooks are available from 2.5 to 19 millimeters in hook size,
or from B to S in American sizing. There are also many artisan-made hooks, most
of hand-turned wood, sometimes decorated with semi-precious stones or beads. Crochet
hooks used for Tunisian crochet are elongated and have a stopper at the end of the
handle, while double-ended crochet hooks have a hook on both ends of the handle.
There is also a double hooked apparatus called a Cro-hook that has become popular.
International crochet terms and notations Some crochet symbols, abbreviations and
UK/US terms In the English-speaking crochet world, the basic stitches have different
names. The differences are usually referred to as UK/US or British/American. Examples
of these differences and their usual abbreviations are: * UK: double crochet (DC)
= US: single crochet (SC) * UK: treble crochet (TR) = US: double crochet (DC) and
so on. To help counter confusion when reading patterns, a diagramming system using
a standard international notation has come into use (illustration, right). Another
terminological difference is known as tension (U.K.) and gauge (U.S.). Individual
crocheters work yarn with a loose or a tight hold and, if unmeasured, these differences
can lead to significant size changes in finished garments that have the same number
of stitches. In order to control for this inconsistency, printed crochet instructions
include a standard for the number of stitches across a standard swatch of fabric.
An individual crocheter begins work by producing a test swatch and compensating
for any discrepancy by changing to a smaller or larger hook. North Americans call
this gauge, referring to the end result of these adjustments; British crocheters
speak of tension, referring to the crafter's grip on the yarn while producing stitches.
Differences from knitting One of the more obvious differences is that crochet uses
one hook while most knitting uses two needles. This is because in crochet, the artisan
usually has only one live stitch on the hook, while a knitter keeps an entire row
of stitches active simultaneously. So dropped stitches, which can unravel a fabric,
rarely interfere with crochet work. This is also because of a second, perhaps less
obvious, structural difference between knitting and crochet. In knitting, each stitch
is supported by the corresponding stitch in the row above and it supports the corresponding
stitch in the row below. In crochet each stitch is only supported by and supports
the stitches on either side of it. If a stitch in a finished item breaks, the stitches
above and below remain intact, and, because of the complex looping of each stitch,
the stitches on either side are not likely to come loose unless put under a lot
of stress. Round or cylindrical patterns are simple to produce with a regular crochet
hook, but cylindrical knitting requires either a set of circular needles or four
or five special double sided needles. And free form crochet can create interesting
shapes in several dimensions because new stitches can be made independently of previous
stitches almost anywhere in the crocheted piece. Knitting can be accomplished by
machine, while many crochet stitches can only be crafted by hand. Although some
crochet patterns can emulate the appearance of knitting, distinctive crochet patterns
such as the Granny square cannot be simulated by other methods. Crochet is more
suitable than knitting for joining pieces of fabric and knit patterns for sweaters
may incorporate crochet for finishing. Crochet can add borders or surface embellishment
to both knit and crochet fabric. Crocheted fabric uses 1/3 more yarn than knitted
fabric. Crochet produces a thicker fabric than knitting, and tends to have less
"give" than knitted fabric. And, generally speaking, crochet technique produces
fabric faster than knitting.
Dyeing is the process of imparting colour to a textile material in loose fibre,
yarn, cloth or garment form by treatment with a dye. Dye types Main article: Dye
For most of the thousands of years in which dyeing has been used by humans to decorate
clothing, or fabrics for other uses, the primary source of dye has been nature,
with the dyes being extracted from animals or plants. In the last 150 years, man
has produced artificial dyes to achieve a broader range of colours, and to render
the dyes more stable to resist washing and general use. Different classes of dye
are used for different types of fibre and at different stages of the textile production
process from loose fibres through yarn and cloth to made up garments. Acrylic fibres
are dyed with basic dyes, nylon and protein fibers such as wool and silk are dyed
with acid dyes, polyester yarn is dyed with disperse dyes. Cotton is dyed with a
range of dye types including vat dyes which are similar to the ancient natural dyes
and modern synthetic reactive and direct dyes. Methods Dyeing in Fes, Morocco. Dyeing
in Fes, Morocco. Dyes are applied to textile goods by dyeing from dye solutions
and by printing from dye pastes. Direct application This short section requires
expansion. The term "direct dye application" stems from some dyestuff having to
be either fermented as in the case of some natural dye or chemically reduced as
in the case of synthetic vat and sulphur dyes before being applied. This renders
the dye soluble so that it can be absorbed by the fibre since the insoluble dye
has very little substantivity to the fibre. Direct dyes, a class of dyes largely
for dyeing cotton, are water soluble and can be applied directly to the fibre from
an aqueous solution. Most other classes of synthetic dye, other than vat and sulphur
dyes, are also applied in this way. The term may also be applied to dyeing without
the use of mordants to fix the dye once it is applied. Mordants were often required
to alter the hue and intensity of natural dyes and improve their colour fastness.
Chromium salts were until recently extensively used in dying wool with synthetic
mordant dyes. These were used for economical high colour fastness dark shades such
as black and navy. Environmental concern has now restricted their use and they have
been replaced with reactive and metal complex dyes which need no mordant. Yarn dyeing
There are many forms of yarn dyeing. Common forms are: at package form and at hanks
form. Cotton yarns are mostly dyed at package form, and acrylic or wool yarn are
dyed at hank form The common dyeing process of cotton yarn with reactive dyes at
package form is given below in short: firstly the raw yarn is winded on spring tube
to achieve package suitable for dye penetration. Then, these softed packages are
loaded on a dyeing carrier's spindle one on another. The packages are next pressed
up to a desired height to achieve suitable density of packing. The carrier is then
loaded on dyeing machine and the yarn is dyed. After dyeing, the packages are unloaded
from the carrier into a trolly. Next, all the packages are hydro extracted to remove
the maximum amount of water. All the packages are then dried to achieve the final
dyed package. At last the dyed yarn packages are packed and delivered. Removal of
dyes In order to remove natural or unwanted colour from material, the opposite process
of bleaching is carried out. If things go wrong in the dyeing process the dyer may
be forced to remove the dye already applied by a process that normally known as
stripping. This normally means destroying the dye with powerful reducing agents
(sodium hydrosulphite) or oxidising agents (Hydrogen peroxide or sodium hypochlorite).
The process often risks damaging the substrate (fibre), where possible it is often
less risky to dye the material a darker shade, black is often the easiest or last
option.
Textiles have an assortment of uses, the most common of which are for clothing and
containers such as bags and baskets. In the household, they are used in carpeting,
upholstered furnishings, window shades, towels, covering for tables, beds, and other
flat surfaces, and in art. In the workplace, they are used in industrial and scientific
processes such as filtering. Miscellaneous uses include flags, backpacks, tents,
nets, cleaning devices, such as handkerchiefs; transportation devices such as balloons,
kites, sails, and parachutes; strengthening in composite materials such as fibre
glass and industrial geotextiles, and smaller cloths are used in washing by "soaping
up" the cloth and washing with it rather than using just soap. Textiles used for
industrial purposes, and chosen for characteristics other than their appearance,
are commonly referred to as technical textiles. Technical textiles include textile
structures for automotive applications, medical textiles (e.g. implants), geotextiles
(reinforcement of embankments), agrotextiles (textiles for crop protection), protective
clothing (e.g. against heat and radiation for fire fighter clothing, against molten
metals for welders, stab protection, and bullet proof vests. In all these applications
stringent performance requirements must be met. Woven of threads coated with zinc
oxide nanowires, laboratory fabric has been shown capable of "self-powering nanosystems"
using vibrations created by everyday actions like wind or body movements.[2][3]
Fashion and textile designs Fashion designers commonly rely on textile designs to
set their fashion collections apart from others. Marisol Deluna, Nicole Miller,
Lilly Pulitzer, the late Gianni Versace and Emilio Pucci can be easily recognized
by their signature print driven designs. Sources and types Traditional Romanian
fabric Traditional Romanian fabric Textiles can be made from many materials. These
materials come from four main sources: animal, plant, mineral, and synthetic. In
the past, all textiles were made from natural fibres, including plant, animal, and
mineral sources. In the 20th century, these were supplemented by artificial fibres
made from petroleum. Textiles are made in various strengths and degrees of durability,
from the finest gossamer to the sturdiest canvas. The relative thickness of fibres
in cloth is measured in deniers. Microfibre refers to fibres made of strands thinner
than one denier. Animal textiles Animal textiles are commonly made from hair or
fur. Wool refers to the hair of the domestic goat or sheep, which is distinguished
from other types of animal hair in that the individual strands are coated with scales
and tightly crimped, and the wool as a whole is coated with an oil known as lanolin,
which is waterproof and dirtproof. Woollen refers to a bulkier yarn produced from
carded, non-parallel fibre, while worsted refers to a finer yarn which is spun from
longer fibres which have been combed to be parallel. Wool is commonly used for warm
clothing. Cashmere, the hair of the Indian cashmere goat, and mohair, the hair of
the North African angora goat, are types of wool known for their softness. Other
animal textiles which are made from hair or fur are alpaca wool, vicuña wool, llama
wool, and camel hair, generally used in the production of coats, jackets, ponchos,
blankets, and other warm coverings. Angora refers to the long, thick, soft hair
of the angora rabbit. Wadmal is a coarse cloth made of wool, produced in Scandinavia,
mostly 1000~1500CE. Silk is an animal textile made from the fibres of the cocoon
of the Chinese silkworm. This is spun into a smooth, shiny fabric prized for its
sleek texture. Plant textiles Grass, rush, hemp, and sisal are all used in making
rope. In the first two, the entire plant is used for this purpose, while in the
last two, only fibres from the plant are utilized. Coir (coconut fibre) is used
in making twine, and also in floormats, doormats, brushes, mattresses, floor tiles,
and sacking. Straw and bamboo are both used to make hats. Straw, a dried form of
grass, is also used for stuffing, as is kapok. Fibres from pulpwood trees, cotton,
rice, hemp, and nettle are used in making paper. Cotton, flax, jute, hemp and modal
are all used in clothing. Piña (pineapple fibre) and ramie are also fibres used
in clothing, generally with a blend of other fabrics such as cotton. Acetate is
used to increase the shininess of certain fabrics such as silks, velvets, and taffetas.
Seaweed is used in the production of textiles. A water-soluble fibre known as alginate
is produced and is used as a holding fibre; when the cloth is finished, the alginate
is dissolved, leaving an open area Tencel is a man-made fabric derived from wood
pulp. It is often described as a man-made silk equivilent and is a tough fabric
which is often blended with other fabrics - cotton for example. Mineral textiles
Asbestos and basalt fibre are used for vinyl tiles, sheeting, and adhesives, "transite"
panels and siding, acoustical ceilings, stage curtains, and fire blankets. Glass
Fibre is used in the production of spacesuits, ironing board and mattress covers,
ropes and cables, reinforcement fibre for composite materials, insect netting, flame-retardant
and protective fabric, soundproof, fireproof, and insulating fibres. Metal fibre,
metal foil, and metal wire have a variety of uses, including the production of cloth-of-gold
and jewelry. Hardware cloth is a coarse weave of steel wire, used in construction.
Synthetic textiles A variety of contemporary fabrics. From the left: evenweave cotton,
velvet, printed cotton, calico, felt, satin, silk, hessian, polycotton. A variety
of contemporary fabrics. From the left: evenweave cotton, velvet, printed cotton,
calico, felt, satin, silk, hessian, polycotton. All synthetic textiles are used
primarily in the production of clothing. Polyester fibre is used in all types of
clothing, either alone or blended with fibres such as cotton. Aramid fibre (e.g.
Twaron) is used for flame-retardant clothing, cut-protection, and armor. Acrylic
is a fibre used to imitate wools, including cashmere, and is often used in replacement
of them. Nylon is a fibre used to imitate silk; it is used in the production of
pantyhose. Thicker nylon fibres are used in rope and outdoor clothing. Spandex (trade
name Lycra) is a polyurethane fibre that stretches easily and can be made tight-fitting
without impeding movement. It is used to make activewear, bras, and swimsuits. Olefin
fibre is a fibre used in activewear, linings, and warm clothing. Olefins are hydrophobic,
allowing them to dry quickly. A sintered felt of olefin fibres is sold under the
trade name Tyvek. Ingeo is a polylactide fibre blended with other fibres such as
cotton and used in clothing. It is more hydrophilic than most other synthetics,
allowing it to wick away perspiration. Lurex is a metallic fibre used in clothing
embellishment. Production methods Main article: textile manufacturing Brilliantly
dyed traditional woven textiles of Guatemala, and woman weaving on a backstrap loom.
Brilliantly dyed traditional woven textiles of Guatemala, and woman weaving on a
backstrap loom. Weaving is a textile production method which involves interlacing
a set of longer threads (called the warp) with a set of crossing threads (called
the weft). This is done on a frame or machine known as a loom, of which there are
a number of types. Some weaving is still done by hand, but the vast majority is
mechanised. Knitting and crocheting involve interlacing loops of yarn, which are
formed either on a knitting needle or on a crochet hook, together in a line. The
two processes are different in that knitting has several active loops at one time,
on the knitting needle waiting to interlock with another loop, while crocheting
never has more than one active loop on the needle. Braiding or plaiting involves
twisting threads together into cloth. Knotting involves tying threads together and
is used in making macrame. Lace is made by interlocking threads together independently,
using a backing and any of the methods described above, to create a fine fabric
with open holes in the work. Lace can be made by either hand or machine. Carpets,
rugs, velvet, velour, and velveteen, are made by interlacing a secondary yarn through
woven cloth, creating a tufted layer known as a nap or pile. Felting involves pressing
a mat of fibres together, and working them together until they become tangled. A
liquid, such as soapy water, is usually added to lubricate the fibres, and to open
up the microscopic scales on strands of wool. Treatments Woven tartan of Clan Campbell,
Scotland. Woven tartan of Clan Campbell, Scotland. Textiles are often dyed, with
fabrics available in almost every colour. Coloured designs in textiles can be created
by weaving together fibres of different colours (tartan or Uzbek Ikat), adding coloured
stitches to finished fabric (embroidery), creating patterns by resist dyeing methods,
tying off areas of cloth and dyeing the rest (tie-dye), or drawing wax designs on
cloth and dyeing in between them (batik), or using various printing processes on
finished fabric. Woodblock printing, still used in India and elsewhere today, is
the oldest of these dating back to at least 220CE in China. Textiles are also sometimes
bleached. In this process, the original colour of the textile is removed by chemicals
or exposure to sunlight, turning the textile pale or white. Textiles are sometimes
finished by chemical processes to change their characteristics. In the 19th century
and early 20th century starching was commonly used to make clothing more resistant
to stains and wrinkles. Since the 1990s, with advances in technologies such as permanent
press process, finishing agents have been used to strengthen fabrics and make them
wrinkle free. More recently, nanomaterials research has led to additional advancements,
with companies such as Nano-Tex and NanoHorizons developing permanent treatments
based on metallic nanoparticles for making textiles more resistant to things such
as water, stains, wrinkles, and pathogens such as bacteria and fungi.
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